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The Magic Of The Mari

'Wel dyma ni'n diwad
Gyfeillion diniwad
I ofyn cawn gennad
I ganu'


THE MARI LWYD (in Welsh, Y Fari Lwyd) is one of the strangest and most ancient of a number of customs with which people in Glamorgan and Gwent used to mark the passing of the darkest days of midwinter.

It's no accident that Christmas, with its emphasis on fire, lights and decorations, is celebrated at this time of year. Before the arrival of Christianity, the Romans used to hold similar festivities at the same time. And before the Romans, these long, cold nights were the time of fire festivals in Wales and across the Celtic World.

From this time on, the days get longer as spring approaches. All these festivals and customs reflect man's awe at nature's annual miracle of death and rebirth. That's why evergreens like the holly and the ivy are such a feature of the season... and why a dead horse mysteriously comes back to life.

Customs involving animal skulls are widely known across the world. The Native Americans of Alaska use them, as do the Indonesian people of Java... and variations crop up at most points of the globe in between. 

But the Mari Lwyd is unique to this part of Wales. In its purest form (still to be seen at Llangynwyd, near Maesteg, every New Year's Day) the tradition involves the arrival of the horse and its party at the door of the house or pub, where they sing several introductory verses. Then comes a battle of wits (known as pwnco) in which the people inside the door and the Mari party outside exchange challenges and insults in rhyme. At the end of the battle, which can be as long as the creativity of the two parties holds out, the Mari party enters with another song.

The industrial revolution and the rise of fire-and-brimstone chapel preaching had a serious effect on the Mari Lwyd. The parties had gained a bad reputation for drunkenness and vandalism as they roamed the villages. Many a sermon was preached against the continuance of such a pagan and barbaric practice, and the participants were urged to do something useful instead - such as taking part in eisteddfodau.

In some places, like Llantrisant, the pwnco disappeared and the Mari party sang only their arrival verses, adding Christmas carols to the repertoire. In other areas, such as Llanharry, Cowbridge and the Vale of Glamorgan, the parties interspersed English-language verses with Welsh-language rhymes.

The Mari could still be seen in many villages in the 1920s and 1930s. By the 1960s, only a few survived in places like Pentyrch and Pencoed.

Llantrisant's Mari Lwyd custom was revived nearly two and half decades ago by members of the Llantrisant Folk Club, very much in the style in which it was being performed when it originally died out, probably at the start of the Second World War.

Mr Vernon Rees, a freeman of Llantrisant, remembers that his father, Tom John Rees, was in charge of the Llantrisant Mari. The Llantrisant head was not a real skull but was made of wood, bandaged right down to the snout to make it look like a genuine horse's head. Mr Rees remembers the Mari being kept in the cupboard under the stairs and knows it was still around in 1937, when the family moved house. Tom John Rees was a miner at Ynysmaerdy Colliery, just north of Llantrisant, and died of pneumoconiosis in 1945, when he was only 45 years old. Mr Rees does not know whether his mother gave the Mari Lwyd away or what became of it.

The "new" Mari Lwyd is a genuine skull, which was prepared and mounted in the traditional fashion by Ian Jones of Pencoed, the last thatcher working in South Wales. Ian kindly donated the Mari to Llantrisant Folk Club - and today it is a regular and much-loved feature of Llantrisant and Pontyclun's Christmas and New Year festivities.

Smile, please - from right, Anne Abel (Cross Inn), Paul Holdsworth (Cross Inn), Mick Tems (Tonysgyboriau/Talbot Green), Andy Jackson (Pontyclun) and Pat Smith (Cross Inn) during a Llantrisant Mari Lwyd Christmas tour.

Read more about the tradition in Llangynwyd and Llantrisant plus some recent articles from Taplas magazine in our Archive section. 

 

 

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Page last updated 25 December 2006

Copyright © 1999 Mari Arts